[Art history anthropology: a new interdisciplinary overlap using the examples of Caravaggio and Mozart].
Identifieur interne : 001630 ( Main/Exploration ); précédent : 001629; suivant : 001631[Art history anthropology: a new interdisciplinary overlap using the examples of Caravaggio and Mozart].
Auteurs : Friedrich W. Rösing [Allemagne]Source :
- Anthropologischer Anzeiger; Bericht über die biologisch-anthropologische Literatur [ 0003-5548 ] ; 2006.
English descriptors
- KwdEn :
- Anthropology (methods), Anthropometry (methods), Art (history), Biometry (methods), Face (anatomy & histology), Famous Persons, History, 17th Century, History, 18th Century, History, 19th Century, Humans, Image Interpretation, Computer-Assisted (methods), Music (history), Portraits as Topic (classification), Portraits as Topic (history).
- MESH :
- anatomy & histology : Face.
- classification : Portraits as Topic.
- history : Art, Music, Portraits as Topic.
- methods : Anthropology, Anthropometry, Biometry, Image Interpretation, Computer-Assisted.
- Famous Persons, History, 17th Century, History, 18th Century, History, 19th Century, Humans.
Abstract
The established identification of human faces on images may also be applied to paintings. This demands an extension of the known methodology: A check is performed if the depicted trait expressions may occur in nature at all or if they are an "artefact" of artistic freedom. Two cases are presented here, which illustrate an identification and an identity exclusion.
PubMed: 17128938
Affiliations:
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Le document en format XML
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<affiliation wicri:level="1"><nlm:affiliation>Institut für Humangenetik und Anthropologie der Universität Ulm. erbbio@medizin.uni-ulm.de</nlm:affiliation>
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<sourceDesc><biblStruct><analytic><title xml:lang="en">[Art history anthropology: a new interdisciplinary overlap using the examples of Caravaggio and Mozart].</title>
<author><name sortKey="Rosing, Friedrich W" sort="Rosing, Friedrich W" uniqKey="Rosing F" first="Friedrich W" last="Rösing">Friedrich W. Rösing</name>
<affiliation wicri:level="1"><nlm:affiliation>Institut für Humangenetik und Anthropologie der Universität Ulm. erbbio@medizin.uni-ulm.de</nlm:affiliation>
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<series><title level="j">Anthropologischer Anzeiger; Bericht über die biologisch-anthropologische Literatur</title>
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<term>History, 17th Century</term>
<term>History, 18th Century</term>
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<term>Music (history)</term>
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<term>Portraits as Topic (history)</term>
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<front><div type="abstract" xml:lang="en">The established identification of human faces on images may also be applied to paintings. This demands an extension of the known methodology: A check is performed if the depicted trait expressions may occur in nature at all or if they are an "artefact" of artistic freedom. Two cases are presented here, which illustrate an identification and an identity exclusion.</div>
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